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WHO
IS 'HAROLD'
... or
rather what is the Harold?
To
most of the American public, the TV show, "Who's
Line is It Anyway?," represents their only
knowledge of improvised comedy. What they don't
realize is that beyond
this format
there is a whole world of improvisation situated
in little
100-seat theatres in New York, Los Angeles, and
in the improv capital, Chicago. The "short
form" improvisation system, which the "Who's
Line" series utilizes, involves quick jokes
and quick laughs in quick game setups. But in
a majority of the intimate improvisation locales
across the nation, players employ "long
form" improvisation styles in formats like
the "Harold."
The origins of the multi player "Harold" format,
an alternative to the "theatre sports" nature of "Who's Line" and "Comedy
Sportz", date back to the early 80's when is was developed by improv practitioner,
Del Close, at the "Improv Olympic" theatre in Chicago. Now, many variations
of the "Harold" are used in performance and for teaching the art of
improvisation.
So,
how does this format work?
The "Harold" first
begins with a single word suggestion from the audience. This is key because
this guarantees the audience that what they are about to see is created right
on the spot. From there the players begin with an "opening" which
can consist of a round of songs, a made up monologue, or a free association
game based off of that one word. The "opening" serves the players
in finding themes and elements that stem from that one word to use for coming
up with ideas for scenes.
Following the "opening" are three
rounds of improvised scenes with each round consisting of three scenes. Within
each scene, the players find a "game" or a humorous and unusual situation
to play up that stems from the ideas they find in the opening. In the first round,
the scenes should be distinct and completely unrelated. But as the show enters
the second and third rounds, one option for the players to take is to find ways
of linking the scenes, but this isn't necessary.
Now, this is just a basic format of the "Harold," and
it is not essential to stay within the boundaries of these simple rules. For
rules are meant to be broken!...just make sure you're funny when that happens
=).

IMPROV
TIPS
FROM VORP'M!
HERE ARE A FEW RULES WE USE IN OUR SCENES:
---Eye
contact is important; it helps you to connect with
your partner.
---Never deny your partner. It's a big F.U. to the person
you are sharing a scene with. It makes the other person not
trust you and not want
to play with you again. Here is a bad scenario:
FRANK: Mom, thanks for taking
me to the candy factory!
MOM: I'm not your mom, and we're in
Alcatraz.
---Use
your instincts and try reacting to a situation as how you
would react to
it, not as
how some "crazy person" would.
---Go see people perform improv often. It's inspiring to
watch improvisers, and it also helps you figure out what
improv
choices work and don't
work in scenes.
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