| Rowe, R. (2005) "The Cognition of Basic Musical Structures by David Temperley." (review) Music Perception 23(2): 189-191. | 
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| Rowe, R. (2005) "Real Time and Unreal Time: Expression in Distributed Performance." Journal of New Music Research 34(1): 87-96. | |
| Rowe, R. (2005) "Personal Effects: Weaning Interactive Systems from MIDI." Proceedings of the Spark Festival 2005. |
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| Rowe, R. and Rolnick, N. (2004) "The Technophobe and the Madman: An Internet-2 Distibuted Musical."
Proceedings of the 2004 International Computer Music Conference.
San Francisco: International Computer Music Association. |
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| Rowe, R. (2002) "Machine Musicianship." Journal of the Acoustical Society of America 111(5): 2348. |
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| Rowe, R. (2001) Machine Musicianship Cambridge, MA:
The MIT Press |
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| Rowe, R. (2000) "Key Induction in the Context of Interactive Performance" Music Perception 17(4): 511-530. |
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| Rowe, R. (2000) "Interactive Music Systems in Ensemble Performance." In Readings in Music and Artificial Intelligence, Eduardo Reck Miranda, ed. Amsterdam: Harwood Academic Publishers. |
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| Xu, A., Woszczyk, W., Settel, Z., Pennycook, B., Rowe, R., Galanter, P., Bary, J., Martin, G., Corey, J., and Cooperstock, J.R. (2000) "Real-Time Streaming of Multichannel Audio Data over Internet." Journal of the Audio Engineering Society, July-August 2000. |
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| Rowe, R. (1999) "The Aesthetics of Interactive Music Systems." Contemporary Music Review 18(3): 83-88. |
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| Rowe, R. (1996) "Incrementally Improving Interactive Music Systems." Contemporary Music Review 13(2): 47-62. |
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| Systèmes Musicaux Interactifs (1996) French translation by Arnaud Piat Paris: Thompson International |
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| Interactive Music Systems (1993) Cambridge, MA: The MIT Press |
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| Koblyakov, L. (1992) "Score/Music Orientation: An Interview with Robert Rowe." Computer Music Journal 16(3). | |
| Rowe, R. (1992) "Machine Listening and Composing with Cypher." Computer Music Journal 16(1). |