Bibliography

Abbington, James. Let Mt. Zion Rejoice! Music in the African American Church. Valley Forge, PA: Judson Press, 2001.


The Alabama Sacred Harp Convention. White Spirituals from The Sacred Harp. New World Records, 1977.


Allaire, G. G. “The Theory of Hexachords, Solmization, and the Modal System.” Musicological Studies and Documents 24 (1982)


Allen, Ray. “African-American Sacred Quartet Singing in New York City.” New York Folklore 14.3-4 (1988): 7-22.


Anderson, Fletcher Clark. “A History of Choral Music in Birmingham, Alabama.” Diss. U. of Georgia, 1978.


Apel, Willi. “Fasola.” Harvard Dictionary of Music. Cambridge: Harvard University Press, 1944.


Appel, Richard G. The Bay Psalm Book and Its Music. 9th ed. NY: Brooklyn College, 1975.


Ayars, Christine Merrick. Contributions to the Art of Music in American by the Music Industries of Boston 1640 to 1936. New York: H. W. Wilson, Co., 1937.


Bandel, Betty. Sing the Lord’s Song in a Strange Land: The Life of Justin Morgan. Rutherford, NY: Fairleigh Dickinson University Press, 1981.


Barbour, J. Murray. The Church Music of William Billings. East Lansing, Michigan: Da Capo Press, 1960.


Barzun, Jacques. Music in American Life. Garden City, NY: Doubleday and Co., 1956.


Bayer, John. Sacred Harp: Four Shape Music Notation Primer for Young Children. Dayton, OH: John Bayer, 1997.


Bealle, John. Public Worship, Private Faith: Sacred Harp and American Folksong. Athens, GA: University of Georgia Press, 1997.


Beary, Shirley. “Stylistic Traits of Southern Shape-Note Gospel Songs.” The Hymn 30 (1979):26-33.


Beckwith, John. “Tunebooks and Hymnals in Canada, 1801-1939.” American Music 8 (1988):193-234.


A Beginner’s Guide to Shape-Note Singing. Ed. Lisa Grayson. Chicago, IL: The Chicago Sacred Harp Singers, 1997.


Bendix, John. Rev. of Sacred Harp Singers, dir. Mark Brice and Chris Petry. Ethnomusicology 31 (1987):525-26.


Berg, Wesley. “Hymns of the Old Colony Mennonites and the Old Way of Singing.” Musical Quarterly 80.1 (1996):77-117.


Berger, Karol. “The Expanding Universe of Musica Ficta in Theory from 1300 to 1550.” Journal of Musicology 4 (1986):410-30.


Bierck, Julius G. “Billings’ Psalmody.” Dwight’s Journal of Music 3 (1853):2.


Birge, Edward Bailey. History of Public School Music in the United States. Wash. D. C.: Music Educators National Conference, 1966.


Bisgrove, M. E. “Sacred Choral Music in the Calvinistic Tradition of the Protestant Reformation in Switzerland and France from 1541 to 1600.” Diss. New York University, 1969.


Blum, Beula Eisenstadt. “Solmization and Pitch Notation in Nineteenth-Century American School Music Textbooks.” Journal of Research in Music Education 19 (1971):443-452.


Boeringer, J. Rev. of The Sacred Harp. Facsimile reprint of 1859 edition, by B. F. White. The Hymn 19 (1968): 93-95.


Boswell, George W. Rev. of The Sacred Harp: A Tradition and its Music, by Buell E. Cobb, Jr. Western Folklore 40 (1981): 276-7.


Breckbill, Anita. “The Hymns of the Anabaptists: An English-Language Bibliography.” The Hymn 39 (1988):21-23.


Britton, Allen P. “The Original Shape-Note Tune Books.” Studies in the History of American Education. Ed. Claude Eggertsen. Ann Arbor: University of Michigan School of Education, 1947.


Britton, Allen P., Irving Lowens and Richard Crawford. A Bibliography of American Sacred Music, 1698-1810. Charlottesville, VA: University of Virginia Press, 1990.


Card, Edith B. “The Tradition of Shaped-note Music: A History of its Development.” Foxfire. Ed. Paul F. Gillespie. Garden City, New York: Doubleday, 1982: 280-92.


Card, Edith B. “William Walker’s Music Then and Now: A Study of Performance Style.” Diss. Florida State University, 1976.


Cheek, Curtis L. “The Singing School and Shape-Note Tradition: Residuals in Twentieth-Century American Hymnody.” Diss. University of Southern California, 1967.


Cobb, Buell E., Jr. The Sacred Harp: A Tradition and Its Music. Athens: University of Georgia Press, 1989.


Collins, Willie. “Moaning and Prayer: A Musical and Contextual Analysis of Chants to Accompany Prayer in Two Afro-American Baptist Churches in Southeast Alabama.” Diss. U. of California, Los Angeles.


Covey, Cyclone. “Did Puritanism or the Frontier Causes the Decline of Colonial Music?” Journal of Research in Music Education 6 (1958):68-78.


Crawford, Richard, comp. Catalog of the Musical Works of William Billings. Westport, CT: Greenwood Press, 1991.


Crawford, Richard. The Core Repertory of Early American Psalmody. Madison, Wisconsin: A-R Editions, 1984.


Crawford, Richard. “’Much Still Remains to Be Undone’: Reformers of Early American Hymnody.” The Hymn 35 (1984):204-08.


Crawford, Richard. Rev. of The Music of the English Parish Church, by Nicholas Temperley. The Hymn 32 (1981):115-17.


Crawford, Richard, and David P. McKay. “The Performance of William Billings’ Music.” Journal of Research in Music Education 21 (1973):318-30.


Crawford, Richard and David P. McKay. William Billings of Boston, Eighteenth-Century Composer. NJ: Princeton University Press, 1975.


Crews, Emma Katherine. “A History of Music in Knoxville, Tennessee: 1791-1910." Diss. Florida State University, 1961.


Crouse, D. L. “The Work of Allen D. Carden and Associates in the Shape-Note Tune-Books. The Missouri Harmony, Western Harmony, and United States Harmony.” Diss. Southern Baptist Theological Seminary, 1972.


Davenport, Linda Gilbert. “Divine Song on the Northeast Frontier: Maine’s Sacred Tunebooks, 1800-1830.” Diss. U of Colorado-Boulder, 1996.


Davidson, James Robert. A Dictionary of Protestant Church Music. New Jersey: Scarecrow, 1975.


Dean, Talmage W. A Survey of Twentieth Century Protestant Church Music in America. Nashville, TN: Broadman Press, 1988.


Downey, James C. “Revivalism, the Gospel Songs, and Social Reform.” Ethnomusicology 9 (1965):115-25.


Durnbaugh, Hedwig T. “Geistreiches Gesang-Buch, 1720—The First Brethren Hymnal.” The Hymn 42 (1991):20-23.


Ellington, Charles Linwood. “The Sacred Harp Tradition of the South: Its Origins and Evolution.” Diss. Florida State University, 1970.


Ellis, Howard E. “Lowell Mason and the Manual of the Boston Academy of Music.” Journal of Research in Music Education 3 (1955):3-10.


Elward, Thomas J. “Thomas Harrison’s Patented Numerical System.” Journal of Research in Music Education 28 (1980):218-24.


Engelke, Hans. “A Study of Ornaments in American Tune-Books: 1760-1800.” Diss. University of Southern California, 1960.


Eskew, Harry L. “Shape Note Hymnody.” Groves Dictionary of Music and Musicians. 6th ed. Wash., D. C.: Macmillan, 1980.


Eskew, Harry L. “Southern Harmony and Its Era.” The Hymn 41 (1990):28-34.


Evans, Mary Ann. Poetry of the Sacred Harp Hymnal, 1971 and 1991 Revisions. Denver, CO: Mary Ann Evans, 1992


Felde, Marcus Paul Bach. “Local Theologies—License to Sing.” The Hymn 40 (1989):15-20.


Finney, T. M. “The Third Edition of Tufts’ ‘Introduction to the Art of Singing Psalm-Tunes.’” Journal of Research in Music Education 14 (1966):163-70.


Foote, Henry Wilder. Three Centuries of American Hymnody. Hamden, Conn.: The Shoe String Press, Inc., 1961.


Gingerich, James Nelson and Matthew Lind, comp. The Harmonia Sacra Handbook. Goshen, IN: James Nelson Gingerich, 1994.


Graham, John R. “Early Twentieth-Century Singing Schools in Kentucky Appalachia.” Journal of Research in Music Education 19 (1971):77-84.


Grashel, J. W. “The Gamut and Solmization in Early British and American Texts.” Journal of Research in Music Education 29 (1981):63-70.


Hamm, Charles. “The Chapins and the Sacred Music in the South and West.” Journal of Research in Music Education 8 (1960):91-98.


Hammond, R. Paul. “The Hymnody of the Second Great Awakening.” The Hymn 29 (1978):19-28.


Hatchett, Marion J. “Three Little-Known West Tennessee Four-Shape Shape-Note Tunebooks.” The Hymn 42 (1991):10-16.


Herman, Janet. “Sacred Harp Singing in California: Genre, Performance, Feeling.” Diss. University of California, Los Angeles, 1997.


Hicks, Roger Wayne. “The First Southern Methodist Hymn Book.” The Hymn 48 (1997):32-35.


Horn, Dorothy D. Sing to Me of Heaven: A Study of Folk and Early American Materials in Three Old Harp Books. Gainesville: University of Florida Press, 1970.


Hulan, Richard H. “The American Revolution in Hymnody.” The Hymn 35 (1984):199-203.


Hulan, Richard. “Camp Meeting Spiritual Folksongs: Legacy of the Great Revival in the West.” Diss. U of Texas, 1978.


Hymn Society of America. “An Interview with Hugh T. McElrath.” The Hymn 42 (1991):10-13.


Jackson, George Pullen. Another Sheaf of White Spirituals. 1952. FL: University of Florida Press, 1981.


Jackson, George Pullen, ed. Down-East Spirituals and Others: Three Hundred Songs Supplementary to the Author’s “Spiritual Folk-Songs of Early America”. 1943. NY, NY: Da Capo Press, 1975.


Jackson, George Pullen. Spiritual Folk-Songs of Early America. 1975. Magnolia, MA: Peter Smith Publishers, 1937.


Jackson, George Pullen. White and Negro Spirituals, Their Lifespan and Kinship. NY, NY: Da Capo Press, 1944.


John, Robert W. “Elm Ives and the Pestalozzian Theory of Music Education.” Journal of Research in Music Education 8 (1960):45-50.


Johnson, H. Earle. “The Need for Research in the History of American Music.” Journal of Research in Music Education 6 (1958):43-61.


Kroeger, Karl. American Fuging Tunes, 1770-1820: A Descriptive Catalog. Westport, CT: Greenwood Press, 1993.


Kroeger, Karl. “William Billings and the Hymn-Tune.” The Hymn 37 (1986):19-26.


Kroeger, Karl. “Settings of Isaac Watts’ Psalm 50 by American Composers.” The Hymn 41 (1990):19-26.


Kyme, George H. “An Experiment in Teaching Children to Read Music with Shape Notes.” Journal of Research in Music Education 8 (1960):3-8.


Leaver, Robin A. “The Failure that Succeeded: The New Version of Tate and Brady.” The Hymn 48 (1997):22-31.


Lenti, Vincent A. “Saint Ambrose, the Father of Western Hymnody.” The Hymn 48 (1997):44-48.


Link, Eugene P. “The Republican Harmony (1795) of Nathaniel Billings.” Journal of Research in Music Education 18 (1970):414-18.


Loessel, Earl Oliver. “The Use of Character Notes and Other Unorthodox Notations in Teaching the Reading of Music in Northern United States During the Nineteenth Century.” Diss. University of Michigan, 1959.


Long Island Traditional Music Association. Ed. Sherri Guthrie and Martha Waide. 13 Dec. 2002 < http://www.litma.org/shapednote.html >.


Lowens, Irving. Music and Musicians in Early America. New York, NY: W. W. Norton, 1964.


Lowens, Irving. Rev. of Camp Meeting Spiritual Folksongs: Legacy of the Great Revival in the West, by Richard H. Hulan. The Hymn 31 (1980):293-95.


Mankin, Jim. “Sing to Me of Heaven—The Role of Eternal Life as Reflected in Gospel Songs.” The Hymn 48 (1997):18-22.


Marie, Jane. “Shape Note Singing.” Shapenote. Ed. Nancy Kamp. 2002. greenlightWRITE.com. 13 Dec. 2002 < http://greenlightwrite.com/shapenote.htm >.


Mathews, William S. B. “The ‘Normal’ Music School.” Dwight’s Journal of Music 32 (1872):302-03.


Maultsby, Portia K. “Afro-American Religious Music: A Bibliography and a Catalogue of Gospel Music.” Ethnomusicology 25 (1981):147-48.


Maultsby, Portia K. “Music of the Northern Independent Black Churches During the Antebellum Period.” Ethnomusicology 19 (1975):401-20.


McKellar, Hugh D. “A History of The Hymn Society in the United States and Canada, 1922-1997.” The Hymn 48 (1997):8-17.


Michael, Daniel N., comp. Alphabetical Listings of Sacred Harp Composers and Authors with Their Works. East Haven, CT: Daniel N. Michael, 1993.


Miller, Kiri. The Chattahoochee Musical Convention, 1852-2002: A Sacred Harp Historical Sourcebook. 1852-1952. Carrollton, GA: The Sacred Harp Museum, 2002.


Miller, Terry E. “Oral Tradition Psalmody Surviving in England and Scotland.” The Hymn 35 (1984):15-22.


MPR: Shaped Note Singing. Ed. Stephen Smith. 1996. Minnesota Public Radio. 13 Dec. 2002 < http://news.mpr.org/features/199612/01_smiths_shapenote >.


Music, David W. “Early Hymnists of Tennessee.” The Hymn 31 (1980):246-51.


Music, David W. “John B. Jackson: Southern Tunebook Complier.” The Hymn 37 (1986):26-30.


Music, David W. “A New Source for the Tune ‘All is Well.’” The Hymn 29 (1978):76-82.


Music, David W. “William Moore’s Columbian Harmony (1825).” The Hymn 36 (1985):16-19.


Nathan, Hans. William Billings: Data and Documents. Detroit: Information Coordinates for the College Music Society, 1976.


O’Brien, James Patrick. “An Experimental Study of the Use of Shape Notes in Developing Sight Singing.” Diss. University of Colorado, Boulder, 1969.


Perrin, Phil D. “Systems of Scale Notation in Nineteenth-Century American Tune Books.” Journal of Research in Music Education 18 (1970):257-64.


Porter, Ellen Jane. “American Folk Hymns in Three Nineteenth-Century United Brethren Hymnals.” The Hymn 48 (1997):28-29.


Porter, Ellen. “An Interview with Ellen Jane Lorenz Porter, F.H.S.” The Hymn 48 (1997):23-27.


Porter, Ellen Jane, and John F. Garst. “More Tunes in the Captain Kidd Meter.” The Hymn 30 (1979):252-62.


Rogers, James A. “Hymns in Periodical Literature.” The Hymn 29 (1978):238-42.


Sacred Harp Singers. Dir. Mark Brice and Chris Petry. Beaconsfield, U.K: National Film and Television School, 1984.


Scholten, James W. “Amzi Chapin: Frontier Singing Master and Folk Hymn composer.” Journal of Research in Music Education 23 (1975).


Shape Note Historical Background. Ed. F. Ishmael J. M. Stefanov-Wagner. 1998 Department of MIT. 13 Dec. 2002 < http://web.mit.edu/user/i/j/ijs/www/sn/sn-hist.html >.


Sheppard, Shelbie, comp. Sacred Harp Singings: Annual Minutes and Directory. Gadsden, AL: The Alabama State Sacred Harp Convention, 2001.


A Short Shaped-Note Singing History. Ed. Keith Willard. 13 Dec. 2002 < http://fasola.org/introduction/short_history.html >.


Smith, James G. “Da Capo.” Choral Journal 16 (1975):25-26.


Smith, Timothy Alan. “The Southern Folk-Hymn, 1800-1860: Notes on Performance Practice.” Choral Journal 23.7 (1983):23-29.


Stanislaw, Richard J. “Choral Performance Practice in the Four-Shape Literature of American Frontier Singing Schools.” Diss. University of Illinois, Urbana-Champaign, 1976.


Stanislaw, Richard. “The Part Assignments in Nineteenth-Century Four-Shape Note Books.” Choral Journal 18.6 (1978):14-21.


Stevenson, Robert. Protestant Church Music in America. NY: W.W. Norton & Co., Inc., 1966.


Stoutamire, Albert L. “Musical Life in Late Eighteenth-Century Richmond.” Journal of Research in Music Education 11 (1963):99-109.


Temperley, Nicholas and Charles G. Manns. Fuging Tunes in the Eighteenth Century. Warren, MI: Harmonie Park Press, 1983.


Thayer, Alexander W. “Lowell Mason.” Dwight’s Journal of Music 39 (1879):186-87, 195-96.


Titon, Jeff Todd. “A Song from the Holy Spirit.” Ethnomusicology 24 (1980):223-31.


Topp, Dale. Music in the Christian Community: Claiming Musical Power for Service and Worship. Grand Rapids, Mich.: Wm. B. Eerdmans Publ. Co., 2001.


“A Typical Month in the Life of a Sacred Harp Singer.” National Sacred Harp Newsletter 1 (1985).


Van Camp, Leonard. “Choral Balance and the Alto Part in Early American Choral Music.” Choral Journal 15.9 (1975):7-9.


Van Camp, Leonard, and John Haberlen. “On Performing the Music of William Billings.” Choral Journal 14.3 (1973):18-22, 14.4 (1973):16-17, 20.


Weiss, Joanne Grayeski. “The Relationship Between the ‘Great Awakening’ and the Transition from Psalmody to Hymnody in the New England Colonies.” Diss. Ball State University, 1988.


White, B.F. “The Sacred Harp, A Collection of Psalm and Hymn Tunes, Odes, and Anthems, Selected from the Most Eminent Authors, 1860 Edition.” Ed. Digital Sources Center, MSU. 2001. Michigan State University. 13 Dec. 2002 < http://digital.lib.msu.edu/ssb/image.cfm?TitleNo=172&image=001 >.


Willet, Henry, ed. In the Spirit: Alabama’s Sacred Music Traditions. Montgomery, AL: Alabama Folklore Association, 2002.


Williams, G. W. “Babylon is Fallen: The Story of A North American Hymn.” The Hymn 44 (1993):31-35.


Williams, Grier Moffatt. “A History of Music in Jacksonville, Florida, from 1822-1922.” Diss. Florida State University, 1961.


Williams-Jones, Pearl. “Afro-American Gospel Music: A Crystallization of the Black Aesthetic.” Ethnomusicology 19 (1975):373-85.


Wiregrass Sacred Harp Singers. The Colored Sacred Harp. New World Records, 1993.


Young, Robert H. “The History of Baptist Hymnody in England from 1612 to 1800.” Diss. University of Southern California, 1959.